"Karina Lumiere paints like someone who trusts color more than language. Her work does not whisper its intentions. It glows, pulses, seduces. This is abstraction born not from theory, but from devotiondevotion to intuition, to sensation, to the unapologetic power of hue as an emotional instrument. Her path to abstract expressionism was never academic. It unfolded in solitude, shaped by meditation and spiritual practice, where listening became more important than learning and presence eclipsed instruction."
"Lumiere does not arrive at the canvas armed with a plan. She arrives open. She listens to the surface, to her inner register, to something larger and less nameable. From that listening, images emerge fully chargedsymbols and narratives that feel inevitable rather than constructed. Her work lives at the intersection of surrealism and abstract expressionism, with a distinctly feminine command of color that recalls the audacity of Fauvism. Color is not subordinate to form; it leads."
Karina Lumiere privileges color as primary language, deploying saturated hues to generate psychological force rather than mere ornamentation. Her practice arises from solitude and spiritual discipline, emphasizing listening and presence over formal instruction. Paintings fuse surrealist suggestion with abstract expressionist gesture and a Fauvist audacity of chroma. Saturation, contrast, and vibrancy produce tension and insistence, inviting the eye to enter the picture. Palettes range from electric pinks to radiant blues and citrus yellows, appearing playful yet resolutely serious. Working in acrylic and mixed media, she builds canvases through layered translucent glazes that animate light and depth.
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