""Both film and digital capture have a limited dynamic range; they can't record the full brightness of the sky and the darker subject simultaneously. For some photographers, this loss of detail is a technical problem. For others, it's an expressive possibility.""
""I use the overcast sky to create that blank, white field behind the structures I photograph. Similarly, in my early work I used film's color response to street lighting to create those atmospherics.""
Jan Staller's new book presents a transformation of construction sites into surreal images, reflecting a shift in his photographic style. His earlier work featured moody atmospherics and night photography, while the new collection focuses on construction materials displayed against a stark white sky. This change highlights a technical evolution in capturing images, where the interplay of light and detail creates expressive possibilities. Staller emphasizes the use of overcast skies to enhance the visual impact of the structures he photographs, marking a significant departure from his previous style.
Read at Hyperallergic
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