The National Gallery celebrates its bicentenary by acquiring an enigmatic altarpiece featuring the Virgin and Child alongside saints, dating from 1500-10. Despite the common theme, the work's humor and quality compel its $20 million price, attributed to the mystery of the artist, whose identity remains unsolved. Purchased from a descendant of Henry Blundell, the altarpiece’s provenance follows a fascinating journey from a Belgian abbey to private ownership in Dorset. Gabriele Finaldi emphasizes its long-desired status, while expert speculation continues regarding the artist, drawing curiosity to the world of obscure 16th-century art.
The National Gallery’s recent acquisition of a mysterious altarpiece highlights the significance of lesser-known artists, reflecting the rich tapestry of European art history.
Despite its high price tag and expert appreciation, the artist behind the altarpiece remains anonymous, showcasing the enduring allure of art shrouded in mystery.
Gabriele Finaldi notes that this altarpiece has been a long-time goal for the National Gallery, underscoring the painting's importance in their collection.
With unresolved debates surrounding the artist's identity, the altarpiece reignites interest in the historical context of lesser-known European artists and craftsmanship.
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