"With an emphasis on the reception of Kahlo's work across times and cultures in the past century, the exhibition blasts apart any crystallized conception of the artist until no easily digestible singular figure emerges. That is, indeed, the point."
"Three of the sections, consisting of a majority of the 35 works total, are dedicated to the artist's work, while a whopping 13 explore her impact and influence via more than a hundred works by related and subsequent generations of artists."
"Kahlo's stylistic interest in Mannerist Renaissance portraiture, on the other hand, is a revelation, as seen in works that showcase shallow depths of field and delicate linearities."
The Museum of Fine Arts, Houston presents Frida Kahlo as an emblem of metaphorical and geographical borderlands, emphasizing how her work has been received across different times and cultures over the past century. The exhibition deliberately resists creating a singular, easily digestible conception of the artist. Organized thematically, the show includes 35 works by Kahlo alongside over 100 works by artists from her community and subsequent generations she influenced. Early sections display Kahlo's experimental works from the 1920s, revealing her stylistic interests in Mannerist Renaissance portraiture alongside her brief Cubist experiments. The exhibition explores her connections to Surrealist movements and contemporaries like María Izquierdo, demonstrating her complex artistic relationships and lasting impact.
Read at Hyperallergic
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