"The capsule wardrobe concept, popularized in the 1970s by Susie Faux, proposes an exercise in synthesis: a compact set of versatile pieces, capable of combining in countless ways to suit different occasions. In visual culture, there are a few metaphors for this: in cartoons like Doug Funnie or Dexter's Laboratory, opening the closet revealed rows of identical clothes, ready to simplify life (and, in the case of animators, the work)."
"For others, however, this would be far from a burden. Choosing what to wear is a pleasurable moment, capable of setting the tone for the day and influencing one's mood. In this sense, the wardrobe is also an extension of identity, a space where practical and symbolic choices meet. Unsurprisingly, expressions like "coming out of the closet" or "skeleton in the closet" are deeply rooted in language, revealing the cultural dimension of this element of the home."
The capsule wardrobe idea favors a small collection of versatile garments that mix to meet many occasions. Cartoon metaphors show identical rows of clothes simplifying life and easing production work. Some individuals adopt a daily uniform to remove recurring dressing choices and conserve time and energy. Others experience choosing clothes as a pleasurable expression that influences mood and identity. Language encodes closet-related metaphors tied to cultural meaning. Interior design treats wardrobes as spatial elements that guide circulation, define atmosphere, and integrate with architecture. Modular and custom systems address compact urban homes. A German manufacturer develops room solutions.
Read at ArchDaily
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