This article reflects on Pulp's significant performance at Glastonbury thirty years ago, where their music and distinctive style propelled them into the spotlight. With their first album in 24 years set to release in 2025, Pulp's return underscores their cultural legacy within the Britpop era. The band’s style, marked by its eclectic, secondhand influences, is contrasted with contemporaries like Oasis. By embracing vibrant, nostalgic aesthetics, Pulp promoted a fashion sense that was not only stylish but accessible, allowing their audience to connect with their look.
Cocker writes in his book Good Pop, Bad Pop, his first jumble-sale buy, a garish 70s shirt, was the real beginning of the Pulp aesthetic.
Miranda Sawyer, author of the Britpop history Uncommon People, mentions that while other bands had a secondhand look, Pulp made it more colorful and on the edge of kitsch.
Doyle states, 'They obviously looked stylish but you did think, OK I can get that stuff' reflecting Pulp's accessibility during their initial years.
The article notes that Pulp's look was influential in the 90s, blending nostalgia with a vivid, eclectic style that set them apart from other bands.
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