
"The whole ordeal received some renewed attention in a 2022 podcast dramatization starring Jon Hamm. That's owed significantly to Skarsgård, who gives one of his finest and least adorned performances. While best known for films like It, The Crow and Nosferatu, here Skarsgård has little more than some green polyester and a very '70s mustache to alter his looks. The straightforward, jittery intensity of his performance propels Dead Man's Wire."
"There's also a telling, if not entirely successful subplot of a local TV news reporter (Myha'la) struggling against stereotypes. Even when she gets the goods on the unspooling news story, the way her producer says to "chop it up" and put it on air makes it clear: Whatever Tony is rebelling against, it's him, not his plight, that will be served up on a prime-time plate."
Gus Van Sant's Dead Man's Wire is a based-on-a-true-tale hostage thriller that blends 1970s aesthetics with contemporary resonance. The film takes some liberties with facts while preserving the righteous rage associated with Dog Day Afternoon. Bill Skarsgård delivers a restrained, jittery performance that anchors the film, relying on modest wardrobe and physicality. Al Pacino's appearance functions as an homage to Lumet's classic and underscores themes of rage and disillusionment with capitalist systems. A subplot follows a local TV reporter (Myha'la) confronting stereotypes and the news industry's tendency to commodify personal rebellion. The real events remain more complex than the film's metaphorical framing, affecting its verisimilitude.
Read at Kqed
Unable to calculate read time
Collection
[
|
...
]