"Emerald Fennell turned Wuthering Heights, Emily Brontë's Gothic novel about obsession and social status, into erotic fanfiction. Maggie Gyllenhaal introduced audiences to a vengeful Mary Shelley in a chaotic take on the 1935 film Bride of Frankenstein."
"Updating a classic isn't inherently a bad idea; Guillermo del Toro's Frankenstein, a dutiful adaptation of Shelley's 1818 novel, just won three Oscars, and Fennell's Wuthering Heights has enjoyed an excellent box-office run."
"That reductiveness, though, works far better in a four-minute pop song than in a feature-length film. Call it the rise of CliffsNotes Cinema-watered-down transformations that offer glossy but thin summaries of the originals."
Recent adaptations of classic literature in cinema have transformed original narratives into superficial interpretations. Taylor Swift's song "The Fate of Ophelia" exemplifies this trend, presenting a version of Ophelia who is saved by a new suitor. Films like Emerald Fennell's erotic take on Wuthering Heights and Maggie Gyllenhaal's vengeful Mary Shelley illustrate this shift. While some adaptations, like Guillermo del Toro's Frankenstein, succeed, many others reduce intricate stories to glossy summaries, losing the depth and complexity of the originals.
Read at The Atlantic
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