'The Moment' Review: Charli XCX Asks If That's All There Is to a Brat Summer, and in a Mostly Shallow Satirical Flex
Briefly

'The Moment' Review: Charli XCX Asks If That's All There Is to a Brat Summer, and in a Mostly Shallow Satirical Flex
"What happens when Brat Summer - that slime-green cultural phenomenon in which Charli XCX dared us to all be much messier, much less apologetic, to send that first text and not regret it - really ends? What is astronomically lost in the supernova of when fame and art collide? And is there such a thing as metaphorical cocaine?"
"Splicing Rob Reiner's mock-rock-that-started-them-all " This Is Spinal Tap " with John Cassevetes' wounded stage-actress portrait "Opening Night" - both films Charli XCX surely has rated on her personal Letterboxd account, which has accounted for a sizable chunk of upstart Gen Z cinephiles - "The Moment" features a screen-commanding performance by the generational icon. It's surely her best work in a scripted project yet, eschewing caricature even as incessant puffs of Parliaments and the lispy (however geographically accurate) pronunciation of "Ibiza" wink at a very extra, outré version of a late-millennial celebrity."
Charli XCX plays a heightened version of herself in a mockumentary that stages the end of Brat Summer and the lead-up to a world tour. The film blends satire, vulnerability and pop-culture pastiche while probing fame's emptiness and the clash between celebrity and art. The performance emphasizes fraying nerves, incorrigible impulses, and doubt about the future after the tour ends. Direction leans on '90s nostalgia and music-video grit, mixing glossy visuals with lived-in messiness. The script riffs on mock-rock and wounded-stage traditions to balance comedic excess with emotional truth.
Read at IndieWire
Unable to calculate read time
[
|
]