"In a central scene, Renee Zellweger's Bridget Jones grapples with grief and challenges the godless rationalism of a charming teacher, signaling a new perspective on faith in cinema."
"This year at the Academy Awards, films like The Brutalist and Conclave showcase faith as a primary theme, potentially marking a shift in Hollywood's narrative."
The article explores a potential shift in Hollywood's relationship with faith, noting that the Academy Awards historically overlook religious themes. Recent nominees like The Brutalist and Conclave, alongside films like A Real Pain, suggest a renewed focus on spirituality and its complexities. Notably, Bridget Jones: Mad About the Boy, although a romcom, features a poignant scene examining grief and faith. The narrative points toward a new spirit in cinema that may be more open to serious discourse about religion.
Read at www.theguardian.com
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