The new installment, 28 Years Later, marks the reunion of director Danny Boyle and writer Alex Garland after two decades. Despite its legacy, the film's distribution strategy—that includes no press previews—raises concerns, suggesting the potential for a lack of quality. The film reportedly begins with a contained virus fueled by a narrative that wipes out past storylines from 28 Weeks Later, transitioning the viewers to an offshore island commune with the protagonist Jamie at its center.
Danny Boyle's indie horror (written by screenwriting supremo Alex Garland) was fresh, jarringly visceral, and recalibrated the undead as rabid, sprinting frenzy-feeders.
If distributors decline to run a press preview, it can mean they either want to contain some ground-shuddering spoiler in the plot, or else the film is not very good.
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