Jean-Luc Godard's reverence for Gustave Caillebotte evolved into a notable homage in his final film, The Image Book, distinct from his extensive previous art references. Throughout his career, Godard infused his films with citations from esteemed nineteenth-century French artists, including Courbet, Manet, and Renoir. However, in The Image Book, he displayed a more selective choice of artworks, particularly highlighting Caillebotte's Floor Scrapers, emphasizing law and injustice themes at a pivotal point in the film. This homage encapsulates Godard's complex relationship with visual art, reflecting his artistic and intellectual journey over eight decades of filmmaking.
Godard's homage to Caillebotte in The Image Book represents a culmination of his longstanding dialogue with French art, capturing themes of law and injustice.
In his late film, Godard reduced his visual references but emphasized Caillebotte's work, symbolizing a deeper reflection on social themes through art.
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