It's Spanish, reinterpreted
Briefly

It's Spanish, reinterpreted
"The foyer leads directly to French doors framing voluptuous gardens that extend as far as the eye can see, and then some: out to the interior courtyard, down to the pool, off to the tennis courts of the two-acre property. The house gradually begins to reveal itself room by room, 9,000 square feet of intimate spaces that add up to a cozy grandeur."
"Like Day's work, it is a collage of textures and colors -- burnished woods, pale-peach stucco walls, red clay Saltillo tiles -- and of elegance and simplicity, of modern and ancient."
"In the early '70s, they bought the 1923 Brentwood stucco because, she says, 'coming from Connecticut, I was so attracted to the age of the house. I didn't know at the time that it was a John Byers.'"
A Spanish-style stucco home in Brentwood, designed by architect John Byers in 1923, presents a modest exterior concealed by dense landscaping. Owner Marina Forstmann Day, a collage artist and granddaughter of a textile company founder, discovered the property's true character upon entering. The nine-thousand-square-foot residence unfolds through intimate rooms featuring burnished woods, pale-peach walls, and red clay tiles. The home incorporates distinctive elements including a massive wrought-iron crystal chandelier, a medieval baptismal font with orchids and ivy, and a fountain with a nymph statue reportedly related to one in Rome's Borghese Gardens. The two-acre property includes an interior courtyard, pool, and tennis courts. Byers, a self-trained architect and contractor, constructed approximately thirty homes in the Brentwood, Santa Monica, and Pacific Palisades areas during the 1920s and 1930s.
Read at Los Angeles Times
Unable to calculate read time
[
|
]