The 1880 exhibition at Wellcome Collection critically examines the impact of the Milan Conference, which discouraged sign language in favor of oral education for the deaf. Featuring artists Christine Sun Kim and Thomas Mader, the exhibition combines visual art with educational elements, utilizing installations like 'I am not cross' to convey deeper meanings about sign language. Critically, it prompts discussions on accessibility, notably questioning the effectiveness of QR codes for visually impaired visitors. This provocative exhibition not only reflects on historical injustices in deaf education but also remains accessible and thoughtfully designed for visitors.
The 1880 exhibition at the Wellcome Collection, led by Christine Sun Kim and Thomas Mader, critiques the Milan Conference's detrimental impact on deaf education.
The exhibition's wall of bricks saying 'I am not cross' serves as a powerful artistic statement that prompts deeper understanding of sign language.
Despite its educational focus, the exhibition raises questions about accessibility, particularly regarding the use of QR codes for visually impaired visitors.
While the exhibition is more educational than artistic, encouraging reflection on the legacy of the 1880 Milan Conference, it remains accessible and free.
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