Cantores in Ecclesia finds cohesion and inspiration from first European tour in 20 years * Oregon ArtsWatch
Briefly

The William Byrd Festival kicked off on August 1, featuring music primarily in English, including works by Orlando Gibbons, a contemporary of William Byrd. The festival commemorates the 400th anniversary of Gibbons' death, showcasing nine of his anthems and Byrd's Great Service for ten-part double choir. The event underscores a golden age of English sacred music during a time of relative peace and religious tolerance following the Protestant Reformation.
Every word of it is in English, reflecting a significant contemporary shift in the language of sacred music, as noted by Kerry McCarthy, a member of Cantores in Ecclesia.
Orlando Gibbons, despite being overshadowed by Byrd, composed exceptional works and served a prominent role at King James I's court, highlighting his influential status.
The 400th anniversary of Gibbons' death is marked this year, presenting a chance to celebrate his contributions alongside Byrd and Tomkins in sacred music.
The festival underscores a 'golden age' of English sacred music, showcasing a range of musical styles developed through a unique period of religious tolerance.
Read at Oregon ArtsWatch * Arts & Culture News
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