"The devil, the Statue of Liberty, a glamorous cowgirl, a construction worker, Joan of Arc: These are the dominant archetypes of the costume-clad at Forest Hills Stadium, all here for night two of Chappell Roan 's four-night run. Walking through the venue, I spot not one but two guys dressed as Lady Liberty whose bodies are entirely painted an ashy shade of green;"
"when I compliment one, he says it hardly took any time at all-"only about an hour and a half"-to cover every visible inch of his skin in green paint. The sartorial standard to which Chappell Roan fans hold themselves is high: Glance around the crowd and you'll see a sea of sequins, perfectly placed wigs, faces beat for the gods, and enough pink cowboy hats to stock every Spirit Halloween in a mid-size city for several years."
Fans arrive at Forest Hills Stadium in extravagant costumes and meticulous makeup, creating a theatrical, celebratory atmosphere. Chappell Roan returns to New York with a four-night run after major festival appearances, televised performances, and swift commercial success. The shows are billed as a series of pop-up dates titled "Visions of Damsels and Other Dangerous Things," including stops in Kansas City and Los Angeles. The run functions as both a victory lap for recent achievements and a cautious re-entry following a festival withdrawal last fall for mental-health reasons. The scale now far exceeds earlier, smaller-venue performances.
Read at Pitchfork
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