Diane Arbus's largest exhibition, "Constellation," at the Park Avenue Armory showcases her extensive body of work, featuring 454 images that delve into the intricate relationship between intention and effect in photography. The exhibition opens with her poignant self-portrait from 1945, highlighting her dual identity as both photographer and subject. The installation's use of mirrors creates a dynamic interplay between viewer and art, prompting introspection and reflection. However, it risks overshadowing Arbus's deeper themes of identity—illustrating her unique style and the emotional resonance of her subjects, challenging visitors to confront their perceptions.
"Self-portrait, pregnant, N.Y.C. 1945" was intended for her husband, serving overseas, making it a reflection of both Arbus's identity and her relationship with him.
Arbus described herself as "a sort of magic mirror who reflects what anyone wants to believe because I can't believe they believe it," showcasing her complex identity.
The exhibition, "Constellation," showcases 454 images of Arbus's work, reinforcing her exploration of the lines between photographer, subject, and viewer.
A single vast mirror spans one wall of the exhibition, reflecting the viewer alongside Arbus's subjects, emphasizing a deeper engagement with identity.
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