"When I watched the original Game of Thrones, I loved it because of its comedy,"
"That's the Game of Thrones that lives in my head, and I know that because when I did my very, very first draft of a House of the Dragon script, the note that came back to me was, 'This sounds like a screwball comedy. What the fuck are you doing?'"
"What do you think about Dunk and Egg?"
"I can't believe how lucky I am,"
A Knight of the Seven Kingdoms adopts a comedic approach rather than expensive, exhaustive world-building or Downton Abbey–style royal drama. Ira Parker centers the series on humor, drawing from early Game of Thrones' wisecracks and travel-based, on-the-ground stories. Parker leans into screwball comedy sensibilities, framing crude, unforgiving medieval life—poor hygiene, rough travel, blind fealty—as sources of laughter. Parker previously served as co-executive producer on House of the Dragon, The Sympathizer, and Better Things. HBO contacted Parker about adapting George R. R. Martin's Dunk and Egg novellas after a recommendation from Ryan Condal. The production aims to offer a fresher, lower-cost tonal alternative in Westeros storytelling.
Read at Esquire
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