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"The reason why my work was categorised as violent' or grotesque' is purely the fault of the British, says Park Chan Wook, flashing a knowing smile in my direction. He smiles again, a minute later, when a translator repeats his words back to me. The revered South Korean filmmaker is joking, but may have a point: when Park first became a sensation in Western cinephile circles, in the early 2000s,"
The Independent covers issues including reproductive rights, climate change, and Big Tech, and conducts investigations such as the financials of Elon Musk's pro-Trump PAC. The Independent produced a documentary, 'The A Word', spotlighting American women fighting for reproductive rights. The outlet does not use paywalls and requests donations to fund reporters on the ground who can interview both sides. Park Chan-wook attributes labeling of his films as 'violent' or 'grotesque' to British marketing decisions. British distributor Tartan marketed Park's early films under 'Asia Extremes'. Park's early films contained macabre elements including murder, incest, child kidnapping, organ harvesting, live octopus consumption, botched penknife harakiri, and dental mutilation.
Read at www.independent.co.uk
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