Jo Noble focuses on individuals who stand for the Constitution, creating unique cards to thank judges for their rulings that uphold the rule of law. Her process involves extensive online research to identify impactful judicial decisions and the officials involved.
"Providing access to government records, documents and data is our municipal responsibility. Embracing and preserving a comprehensive imprint of NYC histories, as representative of our many communities, is the mission of DORIS that I aim to uphold."
In 2025, Dmae Lo Roberts embarked on a statewide storytelling experience focusing on personal stories from both artists and community members. These stories are a form of living oral history.
I create sculptural hairstyles using my natural hair as a material. I add some extensions, and shape it with thread and wire. A sculpture can take me from 30 minutes to more than six hours.
Exploring Transgender Identity in South Carolina is a candid photographic and interview-based documentation of transgender life in South Carolina. This project offers a contemporary visual record of a community that exists largely outside of that narrative yet within its realities.
By the mid-1980s, the AIDS epidemic had completely gripped the nation. Its victims, primarily queer men, were dying by the thousands. Fear and misinformation reigned supreme, and our government refused to respond to the crisis. Reverend Charles Angel, a community leader and activist who was living with HIV himself, recognized that queer men of color faced additional disparities due to cultural norms and societal inequities.
Black History Month is a time to acknowledge and celebrate the achievements and courageous acts of people of African descent in the United States and around the world. This year, Black History month celebrates its 100th anniversary. And yet, Black History Month has failed to fully acknowledge or celebrate the contributions of Black LGBTQ+ people. Just as Pride Month remains overwhelmingly white in its representation, Black History Month continues to be deeply homophobic in its omissions.
During World War I, women in Russia went on strike. They demanded "bread and peace." Among the results of their four-day protest: the Czar abdicated and women gained the right to vote. This bold strike began on Feb. 23, 1917, according to the Julian calendar then used in Russia. That date translated to March 8 in the Gregorian calendar that much of the world uses.
In the hours after the 7 January fatal shooting of Renee Nicole Good, a 37-year-old Minneapolis mother of three, gut-wrenching footage of her killing was released, discrediting initial claims from Immigration and Customs Enforcement (ICE) agents and the Department of Justice that she was shot in self-defense. As a response to the public outcry, the Trump administration and a chorus of conservative public figures unleashed a litany of dehumanizing and defamatory remarks about Good,
Founded in 2014 as a tongue-in-cheek alternative to the esteemed Whitney Biennial, the Every Woman Biennial has evolved into an intergenerational showcase that mixes emerging talent with established feminist art stars while maintaining the scrappy, activist energy that inspired it in the first place.
What began as a passion for collecting became a responsibility. She not only believes in the artistic genius of women, but she wants society in general to hold men and women artists in equal esteem-and to place the same monetary value on their work.
If you want to paint, put your clothes back on! That was how Carolee Schneemann summarised the critical response to her 1975 performance piece Interior Scroll, which she had performed nude standing on a gallery table. After making a series of life model poses, she removed a scroll from her vagina and began to read her manifesto. In doing so, Schneemann asked an important question: What does it mean for a female artist to be both the artist and the life model?
Last summer, I did face painting at a block party in my Brooklyn neighborhood. In the sweltering August humidity, I rendered pink butterflies and Spiderman webs on tiny, sticky faces; unsurprisingly, my designs didn't last very long in the bouncy castle. Except for the glitter. For weeks, I found it in my hair, on my cats, in my sink, and in random corners of the house, migrating to and fro like dandelion fuzz.
Driskell started collecting in 1955 after taking a position as an art professor at Talladega College. As he explained in a 2017 lecture at the Whitney Museum of American Art, he put aside a small budget for art each year from his beginning salary of $3,000.
