The excavation ultimately unearthed 34 burials, 15 of them belonging to children between two and ten years old when they died. The graves are clustered in groups, probably reflecting family nuclei. Most the grave types are earthen pits covered with roof tiles angled against each other.
One tenet of classical idealism is the idea that Roman and Greek statuary embodied an ideal of pure whiteness-a misconception modern sculptors perpetuated for hundreds of years by making busts and statues in polished white marble. But the truth is that both Greek statues and their Roman counterparts were originally brightly painted in riotous color.
Researchers have found traces of what appears to be plant-derived poison on tiny stone arrowheads from South Africa dated to 60,000 years ago. The finding pushes back the origin of this revolutionary hunting technology by tens of thousands of years. Scientists have long been fascinated by the development of poisoned hunting weapons. For one thing, they would have seriously leveled up our ancestors' foraging game.
What makes this canopy special isn't just that it uses 3D printing technology, though that's certainly impressive. It's the way the designers thought about the entire system. Rather than simply throwing a roof over the tombs and calling it a day, they created what's essentially a climate-control system disguised as architecture. The canopy features a double-layer envelope that does way more than keep rain off ancient stone. Built into this roof are ventilation and air extraction components that actively regulate temperature and humidity.
Making poisoned arrows is about as hard as following a "complex cooking recipe", says study co-author Marlize Lombard, an archaeologist at the University of Johannesburg in South Africa. "You have to add to it the danger of the poison, and planning to work with it without getting poisoned yourself, then you have to hunt and track the prey animal under difficult and dangerous conditions sometimes for a day or two."
The Neptune of Lyon, one of the largest and most important bronze statues from Roman Gaul, has arrived in Rome for a one-time guest starring appearance at the Giovanni Barracco Museum of Ancient Sculpture. The statue is in the permanent collection of the Lugdunum Musee et Theatres Romains in Lyon, and is being loaned to the sculpture museum as part of an extraordinary exchange of ancient works between the two cities.
The only building known to have been designed by Vitruvius himself was found under Piazza Andrea Costa in a preventative archaeology excavation before redevelopment. Unlike the ancient public building found in 2023 which was speculated to be the long-sought basilica, the newly-discovered structure matches the detailed description in Vitruvius' De Architectura. The accuracy with which the remains found coincided with Vitruvian descriptions left experts astonished.
It is approximately 10 by 13 feet in dimension and features two main sections consisting of a central hexagonal panel bordered on each side with five square panels and one rectangle. The space between the squares is filled with triangular panels. Each panel contains different geometric and abstract botanical designs. The hexagonal panel in the center contains a Solomon's Knot (two interlocked ovals). The square panels contain flowers with four pointed petals. The triangular panels contain small solid triangles.