#cinema-history

#cinema-history

Waterworld seemed primed for success, as it came from the director and star who'd turned Robin Hood: Prince of Thieves into 1991's second highest-grossing film.

The cinema opened in 1934 as the Gaumont Palace, seating just over 2,500 people, featuring a theatre stage and a large organ.

The iconic sled from Orson Welles's 1941 classic Citizen Kane has sold for $14.75m, making it the second most valuable piece of movie memorabilia ever sold.

"I really wanted to tell a human story, the human perspective of what it took to create a masterpiece."

The film tries to be politically diplomatic by including astronauts from diverse nationalities but ultimately falls into the trap of tired stereotypes.

The zombie genre, rooted in horror's early cinematic eras, has endured through decades, evolving from voodoo origins to a mainstream cultural phenomenon, showcasing its undeniable resilience.

The story of King Kong's creators begins in World War I and comes to fruition in Hollywood, highlighting the enduring legacy of this iconic character.

Enzo Staiola, who gained fame as the soulful son in 'Bicycle Thieves,' passed away at 85, marking the end of an era in Italian neorealism.

"Working on 'The Empire Strikes Back' was like stepping into a dream - an adventure in every sense... We knew it was something special even then."

Producer James G. Robinson initially wanted to revive the horror franchise, but after several directors dropped out, Paul Schrader was brought in, leading to unexpected conflicts.

"This is my fifth or sixth time at Cannes. The festival changes, but it's always been a great experience for me, introducing films to the world."

It seems like every month, there's an exciting new 4K re-release or a newly restored rediscovery that's reaching audiences for the first time.

The wildly ambitious 1,396-page compendium dedicated to Stanley Kubrick's classic adaptation of Stephen King's The Shining is back in stock and available for order.

Watkins criticized the Canadian film industry for lacking identity and urged filmmakers to break away from American commercialization. He called for tougher, more authentic voices.

"Eastwood's 40th outing as a director brings us a rare modern-day movie that entertains, feels mainstream, but also asks weighty questions about the true nature of justice and fairness."

"It felt like a good courtroom drama to me. I didn't know it was going to be a lot more than that at the time," said "The Social Network" screenwriter Aaron Sorkin, expressing his surprise at the film's depth and impact. His adaptation of Ben Mezrich's book showcased the complex creation of Facebook and its societal ripple effects, elevating it beyond a typical legal narrative.

Vampires are not merely monsters; they embody a spectrum of traits from the seductive to the grotesque, representing both fear and desire in popular culture.

Felissa Rose recounts her emotional moment with Shelley Duvall, expressing, "The first thing I said was, I'm so nervous and excited. I just love you, and may I have a hug?" This encounter, filled with admiration, really underscored the connection she felt towards a legendary figure in horror, revealing Duvall's warmth and graciousness when she replied, "Of course!" and embraced Rose. It was heartwarming that this moment was pivotal for Rose, bringing her to tears in such a lovely encounter.

Gladiator remains a seminal film in cinema history, marking its cultural impact with numerous accolades. The upcoming sequel reaffirms its lasting influence two decades later.