#electroclash

#electroclash

On her sixth album, pop's queen of the dramatic reinvention did something more shocking than meat dresses and humanoid motorbikes: Lady Gaga looked back. Unlike the smooth tech-house flavour of its predecessor Chromatica, and diametrically opposed to the dinner jazz of her work with Tony Bennett, on Mayhem she returned to the operatic electroclash that powered her first two albums. There are synths that sound like a Dyson on its last legs.

Whether crowdsurfing inside a giant condom or singing alongside a vulva-headed dancer, Peaches has left us with some indelible on-stage images over the years and there are set to be a few new ones as she goes on tour and releases her first album in a decade. As she does so, she'll join us to answer your questions. Peaches, AKA Merrill Nisker, emerged from Toronto's underground scene in the late 1990s