Giuseppe Verdi donated all royalties from his operas to the construction and administration of a luxurious retreat for retired musicians, designed by architect Camillo Boito.
Wagner's reputation can be both a headache and an irresistible challenge to opera directors. Though opera usually demands strict fidelity to the music as it was written, there is traditionally more leeway in staging decisions.
Rigoletto's librettist, Francesco Maria Piave, replaced the king with the Duke of Mantua, who is just as morally bankrupt as the original. The opera premiered in 1851 in Venice and has been a popular production to roll out with both name recognition and one of those golden tunes that almost everybody has heard: La donna e mobile, which becomes haunting in the context of the actual plot.
"Piano piano" is an old Italian saying that sounds nonsensical, but is actually full of wisdom, especially if you, like me, are finding yourself wishing away these frigid winter days and hoping spring and summer gets here fast. These days, I've found myself rushing from one thing to the next, frustrated at the smallest things, from post office lines to just missing my train. And I'm ready to make a change.
The Winter Oympics opening ceremony arrived shrouded in mystery. There wasn't a lot of advance publicity about what might happen, beyond a list of musical performers, heavier on popular classical names including Andrea Bocelli and Lang Lang than pop stars and a quote from the event's creative lead and executive producer, Marco Balich, that it would eschew hi-tech and bling.
A gloriously clear day cold enough to warrant a coat and gloves yet brilliantly sunny-light shimmering on the water like Christmas baubles and a sky so blue that the tides appeared joyously high. Rainbows entered my suite at the exquisite Venice Venice Hotel; a snowy white heron perched itself on the railing of the balcony, seemingly as enchanted by the activity on the canals as we were; a pianist dressed in a long printed cape that swept the floor played into the night.
Marciari brought me to a very different place: the luxurious, languid heat of late-summer Rome, in one of the final years of the 16th century. There, an ordinary boy has been made to hold a heavy basket of fruit for far longer than he'd like in a hot, airless studio, and a young, unknown painter is on the precipice of greatness.
Barbara Strozzi was a true 17th-century revolutionary. The adopted and quite possibly the natural daughter of poet and librettist Giulio Strozzi, she grew up in the bosom of the Venetian intelligentsia, taking part in debates from the age of 15. Her tally of 120 published works for solo voice was unequalled by any of her contemporaries. Despite remaining single, she managed to support four children on the income from her music alone.
Upon its debut in 1725, The Four Sea­sons stunned lis­ten­ers by telling a sto­ry with­out the help of a human voice. Vival­di drew on four exist­ing son­nets (pos­si­bly of his own prove­nance), using strings to paint a nar­ra­tive filled with spring thun­der­storms, summer's swel­ter, autum­nal hunts and har­vests, and the icy winds of win­ter. The com­pos­er stud­ded his score with pre­cise­ly placed lines from the son­nets, to con­vey his expec­ta­tions that the musi­cians would use their instru­ments to son­i­cal­ly embody the expe­ri­ences being described.
Carlo Gesualdo wrote some of the most darkly sublime music of the late Renaissance. He also savagely murdered his wife and her lover in their bed. Now be honest: which would you like to discuss first? The art will always be secondary to the atrocity, however magnificent the madrigals and sacred music. Gesualdo, Prince of Venosa, had been cuckolded by the Duke of Andria in a long-running tryst that had become the scuttlebutt at court.
Andre de Ridder is either brave or stupid. He has accepted the role as the music director of English National Opera its chief conductor and keeper of its musical flame. He will take up the role formally in 2027. The post has been empty for several anguished years, sparked by Arts Council England's 2022 announcement that the company would lose all its funding unless it moved out of London.
