#literary-criticism

#literary-criticism

Monsters across cultures reveal deep, enduring human fascinations and fears, persisting from childhood fantasies into adulthood.

John Updike's literary critiques in The New Yorker significantly influenced American readership and recognized the genius of Vargas Llosa.

Titus Andronicus, often viewed as Shakespeare's least respected work, reflects the complexities of his early career and the genre of revenge plays.

Focus on new releases in nonfiction addressing deep personal and societal issues.

Hood reclaims trauma narratives, asserting they are personal stories rather than mere a victim-to-valor clichés.

Janet Malcolm's writing evoked admiration and discomfort, solidifying her reputation as a fierce and perceptive literary figure.

The posthumous essays in 'Silent Catastrophes' are convoluted and unoriginal, disappointing fans of Sebald's narrative style.

Kate Atkinson rejects the label of magical realism, asserting her works are more influenced by English fairy tales and children's literature.

John Milton's 'Paradise Lost' invites deep exploration of themes such as gender and beauty, rewarding readers with its rich complexities.

Olga Tokarczuk advocates for a new form of realism that transcends traditional narrative structures and reflects diverse human experiences.

The New York Times Book Review highlights the ongoing evolution of literature with its list of the best twenty-first century books.

Dionne Brand's 'Salvage' critiques classical literature to reveal its complicity in capitalism and colonialism while advocating for a reimagined literary tradition.

Best-of lists are popular but often criticized for bias and predictability in selections.

Cormac McCarthy had a sexual relationship with a teenager that influenced his writing.

Blurbs in publishing often feel coerced, leading to an ironic mix of praise and criticism, especially for authors navigating literary reputations.

Literary texts from the Victorian era have valuable insights in their fragmented elements, challenging traditional reading approaches.

Fredric Jameson's experience as a Marxist in America reflects the complex and often misunderstood legacy of Philip K. Dick's work.

Dick's early struggles and radical interpretations presage his eventual acclaim as a critical voice against consumerism.

Fanon's work is often misinterpreted as glorification of violence, overshadowing its deeper anti-colonial significance.

Jonathan Lethem's latest book, 'Cellophane Bricks: A Life in Visual Culture,' showcases his writings on visual art over four decades.

The Sweet Valley High universe, created by Francine Pascal, had a massive impact on readers, especially girls growing up in the 1980s and '90s.

Exploring The Atlantic's historical reviews of classic books, reflecting on the longevity of literary judgments and the evolution of criticism.