fromThe New Yorker
1 week agoWhen a Man Loves a Cello
Isserlis often has nightmares about his cello. Losing it. Leaving it somewhere. The strings falling off without warning. At sixty-seven, he is one of the world's most celebrated concert cellists, but when he thinks about these scenarios he frowns and gently shakes his baroque gray ringlets. For more than fifteen years, Isserlis has been playing an eighteenth-century Stradivarius cello named the Marquis de Corberon, for the French aristocrat who once owned it.
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