At just shy of 200 years old, Henrik Ibsen feels like a writer for the moment - full of passionate intensity, yet just as fiery in his skepticism and self-critique as in his moral conviction; grand and unsparing and perverse; equipped with an internal Geiger counter for sanctimony and bullshit. And while A Doll's House and Hedda Gabler tend to come around often enough in the contemporary theater,
People in war zones hang out. They smoke; they gossip. They make up funny dances. To forget this is to deny the real people in these dire situations their humanity and to risk seeing them only through the eyes of charity-helpless, desperate, and without pride. Them, the 2019 play by Samah Sabawi, opens promisingly with a down-to-earth scene: Three young men-two with rifles-stand at a makeshift check point and shoot the shit.
Director Bill English emphasizes that the show will remain 'My Fair Lady' while offering a fresh perspective on the relationships between Eliza, Higgins, and Pickering, focusing on their equality.