The design is structured around geometric principles derived from Basque cultural references, with a central motif being the 'Eguzki-Lore,' a traditional sunflower symbol historically placed at entrances for protection.
The bridge links the waterside residential area of Kruunuvuorenranta to the Nihti district via Korkeasaari island, pulling thousands of residents meaningfully closer to the city centre.
The Dasha River Ecological Corridor flows along the western side of the site and empties into the sea, using water as a link to connect various educational and urban public facilities.
Silent Embrace uses choreography and physical interaction to explore how bodies respond to restrictive spatial conditions, revealing the adjustments required to inhabit spaces not designed for rest.
The most defining element of Wasl Tower is its ceramic facade, developed by the architects at UNS as a full-height environmental system rather than a surface treatment. Thousands of terracotta fins wrap the building to form a continuous outer layer that filters sunlight and channels air movement across the envelope.
Alejandra Ferrera emphasizes that the security-driven design, while functional at the time, has led to a fragmented urban experience where streets serve only as transit voids, lacking social engagement.
The architectural approach emphasizes simplicity, durability, and contextual integration, with brick as the primary material for its structural capacity and long-term performance.
"We're looking at quite large new numbers of residents that will be in this part of town. And the decision was made that we need to connect those parts of town across the water to downtown, but that we need to do it in a way that won't increase congestion."
The selected proposal was described by the jury as 'exemplary,' highlighting its capacity to balance formal clarity with sensitivity to context while establishing a dialogue with the existing Sainsbury Wing.
The design team combined the requirements for an accessible bridge and a small pavilion into a single structure, creating a unified architectural gesture that supports both movement and gathering.
Prada has unveiled new scaffolding on its building, currently undergoing renovation, that covers its facade in rippling layers of semitransparent Prada-green scrim paper. The result is a beautifully nuanced design solution that turns what's typically a functional safety requirement into a moiré urban dreamscape that becomes a visual extension of Prada's brand.
Singapore has a special way of blending old traditions with modern life, especially evident in its historic neighborhoods like Chinatown, Little India, and Kampong Glam. There, colorful shophouses, temples, and mosques sit alongside cafes and boutiques, while long-standing food and craft traditions remain part of daily life.
A bench in Bristol installed facing a brick wall has aroused local curiosity why put it there? BBC West commented that it joined other perversely placed seating: a bench in Shirehampton facing a derelict building and one in Wedmore facing a hedge. Bristol city council explained that when it plants a planned tree, the bench will provide a shady spot to rest on a steep hill, but promised to review the placement.
The sweeping changes include extensive greening and seating, two major water features, and a large paved events space in front of Trinity College. Early sketches for the space were revealed in June last year, but Dublin City Council (DCC) have refined them on foot of two rounds of public consultation and more than 2,800 written submissions. Extensive seating and a play space are also part of the project, with the council promising "an environment that encourages people to stop, relax and connect with the city around them."
This past week in New York City, fifteen inches of snow fell and more than twenty-two hundred snowplows pushed it away. Twelve thousand miles of sidewalk were shovelled. Two hundred and nine million pounds of salt were spread, and, after it got really bad, two hundred thousand gallons of calcium chloride, a chemical ice melt, were deployed. Sometimes the work you do leaves its mark; sometimes it doesn't.
Across this week's broader architecture news landscape, a central theme emerges around the advancement of civic architecture conceived as open, publicly engaged infrastructure, with cultural and institutional projects increasingly designed to strengthen their relationship with the city and everyday urban life. At the same time, renewed global attention turns toward Africa, where large-scale transport infrastructure and the conservation of modernist landmarks reflect interests in the region and the reassessment of the continent's architectural heritage.
In an attempt to assuage concerns that the proposed four-story building to replace the shuttered Western Plywood warehouse at 2600 Harrison Street in the Mission is incompatible with the "design, scale and mass" of the neighborhood, Kerman Morris Architects has redesigned the project. The new design reduces the street-level wall along Harrison, includes a more open Production, Distribution & Repair (PDR) space, and adds an area with benches and raised planters along the street.
Unlike most popular sports, the origin of basketball has a precise year and creator: it was invented in 1891 in the United States by Canadian physical education instructor James Naismith as an indoor sport for athletes at Springfield College during the winter, after the end of the football season. The sport quickly expanded beyond U.S. borders, being included in the Olympic Games in 1936 and achieving international popularity after the Second World War.
Text description provided by the architects. In the heart of Marmilla, architect Martino Picchedda transforms the village's main entrance into a poetic urban threshold. The design evokes the timeless forms of the Giants' Tombs while celebrating the Sardinian landscape's identity through corten steel, local stone, and light. Here, history and contemporary design converge, creating a welcoming space that tells the story of place and people.
