#violence-in-media

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#film-analysis
Film
fromInverse
3 days ago

50 Years Ago, A Dystopian Sci-Fi Cult Classic Beat Hunger Games To The Punch

Dystopian narratives often reflect societal fears around totalitarianism and escapism through violent entertainment.
fromwww.esquire.com
6 months ago
Miscellaneous

'Joker: Folie a Deux' Ending, Explained: What Happened?

Joker: Folie a Deux presents a bleak continuation of Arthur Fleck's story, depicting his trials and losses in a courtroom drama format.
Film
fromInverse
3 days ago

50 Years Ago, A Dystopian Sci-Fi Cult Classic Beat Hunger Games To The Punch

Dystopian narratives often reflect societal fears around totalitarianism and escapism through violent entertainment.
fromwww.esquire.com
6 months ago
Miscellaneous

'Joker: Folie a Deux' Ending, Explained: What Happened?

Joker: Folie a Deux presents a bleak continuation of Arthur Fleck's story, depicting his trials and losses in a courtroom drama format.
more#film-analysis
Independent films
fromVulture
5 months ago

The 50 Greatest War Movies Ever Made

War movies often inadvertently endorse war despite claiming to be antiwar.
Films reflect societal attitudes towards war and evolve with time.
UK politics
fromwww.theguardian.com
2 months ago

The Guardian view on pornography: the Obscene Publications Act needs an update | Editorial

The UK seeks to enhance online safety by regulating access to violent and harmful pornography, especially for minors.
fromWashington Post
4 months ago
DC food

What to watch with your kids: 'Mufasa,' 'Sonic the Hedgehog 3' and more

Mufasa explores Mufasa's journey from orphan to king, highlighting themes of family, violence, and leadership.
Sonic the Hedgehog 3 intensifies its adventure with new threats and real-world consequences.
Miscellaneous
fromBrooklyn Magazine
6 months ago

Inside the making of 'Anora,' a sex worker Cinderella story - Brooklyn Magazine

Hollywood prioritizes violence over sex, prompting filmmaker Sean Baker to advocate for more authentic sexual narratives in cinema.
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