"Speak toward it, and the rings light up. Walk away, and the activation fades. The structure doesn't generate its own spectacle. It borrows yours. Which sounds like a gimmick when you type it out flat like that, but when you sit with it, it starts to feel like one of those rare design ideas that actually earns its concept."
"The 300 rings function as a kind of vertical archive. Lower rings hold stabilized states built up over time, while the upper rings stay live and reactive to current input. So the tower, in a real and structural sense, carries memory. What a crowd did an hour ago is still visible at the base, while what's happening right now lives near the top. Light doesn't disappear here. It accumulates. Time, quite literally, becomes physical form."
"Konchekov developed the project through a methodology he calls COLLIZIUM, which frames architectural form through conflict-based computational processes and collective social input. That might sound like a design school thesis, but the output is something more immediate and tactile than the language around it suggests."
A 12-meter tower made of 300 programmable rings translates human voice into vertical light and sound. Speaking toward the tower activates the rings, while moving away causes activation to fade. The rings operate with an accumulation logic: lower rings hold stabilized states built up over time, and upper rings remain live and responsive to current input. The structure therefore carries memory, preserving what a crowd did earlier near the base while reflecting what is happening now near the top. Light does not vanish; it accumulates, making time a physical element of the installation. The project is developed using COLLIZIUM, using conflict-based computational processes and collective social input to shape architectural form.
Read at Yanko Design - Modern Industrial Design News
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