
"The concept is beautifully simple yet surprisingly complex in execution. Picture a classic vinyl turntable, then imagine surrounding the record with 39 handcrafted wooden tiles arranged in concentric circles. As your favorite album spins, these tiles respond to the music's frequency and amplitude, flipping and rotating to create constantly shifting patterns of light and shadow. It's like watching your music dance."
"What makes Orbit particularly special is how it bridges the gap between vintage nostalgia and contemporary design innovation. In an era where most of us stream music through invisible algorithms and wireless speakers, there's something deeply satisfying about watching music become a physical, visual experience. Brown has essentially created a hybrid object that transforms passive listening into an active sensory moment, where you're not just hearing the music but witnessing it unfold in real time."
"The wooden tiles themselves are a thoughtful material choice. Each one is carefully crafted and balanced, allowing them to respond with precision to the audio signals they receive. As the music plays, different frequencies trigger different tiles, creating organic patterns that shift with every song. A bass-heavy track might trigger the outer rings more intensely, while high notes could activate the inner tiles."
Orbit is a kinetic turntable that translates audio into visible motion using 39 handcrafted wooden tiles arranged in concentric circles around a spinning record. The tiles flip and rotate in response to frequency and amplitude, producing evolving patterns of light and shadow that mirror bass, mids, and highs. Each tile is carefully balanced to respond precisely to incoming audio signals so different frequencies trigger different tiles and rings. The design merges vintage turntable aesthetics with contemporary kinetic mechanics to turn passive listening into an active, multisensory performance that makes music simultaneously audible and visible.
Read at Yanko Design - Modern Industrial Design News
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