"“You still have a story to tell,” he said. “Sometimes the stories that they demand that you tell, they may not realise it, but what they're really asking for is the end of the story.” He continued: “They want something to happen, and they don't have second stage thinking in terms of, if this show is to continue, you've basically just ended the story. Now there's not going to be anything for these characters to do. That's one thing.”"
"“I definitely do feel the pressure of certain elements of the fandom, but that's why I avoid it now, because even when you think you're giving them the thing that they absolutely will love, they won't. I just think that the only thing you can really do, your only true north star, is if you feel like it's working for you.”"
"Although Minear didn't specify exactly what he was referring to in terms of stories that the fans “demand”, the most obvious answer would be firefighters and best friends Buck and Eddie being in a romantic relationship. (The second obvious would be bringing Captain Bobby Nash back from the dead, but, well...)"
A showrunner emphasized that storytelling must still have an end goal beyond what fans immediately demand. Fans may ask for a payoff, but that payoff can prematurely end character arcs and leave no future direction if the series continues. Audience expectations create pressure, and even when creators try to deliver what fans will love, it may not satisfy them. The only reliable guide is whether the creative direction feels like it is working. The comments were interpreted as pointing toward a gradual romantic development for Buck and Eddie, a popular fan ship supported by strong on-screen chemistry, while the show has also framed them as family through shared moments and storylines.
Read at PinkNews | Latest lesbian, gay, bi and trans news | LGBTQ+ news
Unable to calculate read time
Collection
[
|
...
]