I Love LA Series-Premiere Recap: Sympathy Is a Knife
Briefly

I Love LA Series-Premiere Recap: Sympathy Is a Knife
"When I first moved to Los Angeles, everyone told me to give it "at least two years." They said that's how long it would take to find out whether I could live there. But to like it, let alone love it? Who knows! Everything was beautiful and nothing felt real. As a spinning Rachel Sennott put it in a bizarrely compelling 2020 video that's essentially a succinct thesis statement for the dissertation that is her 2025 HBO show: "Come on! It's L.A.! Haha! What?! It's L.A.!""
"I did, until I didn't. Still, leaving proved a much more painful breakup than I'd ever expected because I really did learn to love so much about L.A. The food! The arts! The biodiversity! The vibrancy! L.A. can rule! But seeing some of its most insular instincts through Sennott's eyes (and those of pilot director Lorene Scafaria) feels more familiar than I'd expected, too. As much as I Love LA will inevitably get compared to Lena Dunham's , I'm gonna throw it out there that its truest HBO ancestor is , with all the desperate social climbing and grimy Hollywood truths that implies."
Maia is a 27-year-old living in Los Angeles who negotiates romance, Instagram-driven comparisons, and the city’s seductive pleasures. A birthday earthquake and a devoted boyfriend named Dylan set a comic, anxious tone for the series. The story spotlights former friendships, including Tallulah, and the emotional difficulty of leaving a city that offers food, arts, biodiversity, and vibrancy. Rachel Sennott’s voice and performance shape the show’s perspective, with pilot direction by Lorene Scafaria. The series channels desperate social climbing and gritty Hollywood realities while balancing affection for what makes L.A. magnetic.
Read at Vulture
Unable to calculate read time
[
|
]