#haider-ackermann

#haider-ackermann

After we bought the palazzo, we lay on the floor in the music room to look at the details in the ceilings-and to understand what we just bought. That spirit of curiosity has guided curatorial decisions, as they placed artworks in conversation with ornate interiors.

The pop-up is structured as a composed interior with garments, furniture, artworks, and editorial elements, allowing each to contribute to a unified reading of the brand.

"I started doing photography as a way to express things I don't understand or to convey a message I'm having a hard time explaining. I often work in quite a backwards way, knowing exactly what I want to arrange in front of the camera but struggling to understand the significance in my life until I am able to reflect on it after."

Salma is not a character in a traditional sense but an evolving body, a presence that mutates through clothing, gesture, and performance. For this runway, Salma multiplied. Twelve bodies carried the same conceptual DNA, while each looked expressed a different emotional and physical state of the same being.

Beneath a dome that once watched over the French Communist Party's debates in the 1970s, a large self-illuminating dinner table is prepared. Its oval shape stands in the middle of a room noisy with conversation and Object Blue's elegant, beat-driven dinner soundtrack. Guests like Gabbriette, Cruz Beckham, Paloma Elsesser, Damson Idris, ASAP Nast and Pusha T gather under a DayGlo hanging light box. The setting looks, not at all accidentally, like Kubrick's vision of a war room in Dr. Strangelove. And it is a party.

"The name is a paradox. They never functioned as a collective," says Kaat Debo, MoMu's director. "Some of them still describe that label as a blessing and a curse. But they were friends."

Fifteen years after the death of Lee McQueen, the brand is struggling to maintain momentum. The founder is a hallowed name in the fashion industry, and one of the few modern designers to whose character and story the wider public feel a connection. But the generation who wore McQueen's original bumsters have aged out of shock-value fashion, and the name has less power over younger consumers.

It captures seven different femininities during an all-day pool party, enjoying themselves while revealing their distinctive styles. Creative Direction, Production & Styling by Maria Gkin. Photography by Eliza Poultidou. The models are Vanessa Otilia, Cyka, Alvina Chamberland and Angelica Komninak. The concept examines the thin line between what is seen as acceptable and what has been labelled ugly or immoral, explored through each woman's personal story. Textures, colours, makeup and styling come together, breaking down stereotypes and highlighting fashion as a means of freedom

The earliest jewellery ever discovered wasn't gold or gemstone at all, but fish bones. In prehistoric times, hunters wore bones, teeth and claws from their kills as talismans of luck and prowess. For Italian shoe maestro Giuseppe Zanotti - famous for his sculptural, jewel-encrusted heels - this idea of turning humble scraps into ornamentation has long been second nature; during a seaside dinner in 2004, Zanotti sketched a fish skeleton on a tablecloth.

LANDEI transcends the conventional notion of a "place"; it embodies a state of mind, challenging perceptions of naivety or unsophistication. This deliberate reclamation of the term speaks volumes about the brand's ethos and intention. At the heart of this collection lies an exploration of fashion that distances itself from the spectacle of the industry, shifting the focus toward origin, patience, and a deep, internal contemplation of creativity.

An approach to fabric, to the body, to craft and to women. Not in that order. Pieter Mulier, a softly-spoken, warm-eyed Belgian, has led Alaïa for just shy of five years. This season, it was his time to say goodbye.

People have a lot of ideas of what Chanel is, or rather what it should be. One word that doesn't come up much, though, is rebellious - yet that's exactly what Chanel the woman was and what Chanel the house remains. Rather than rebellion, 'paradox' was the word used by Matthieu Blazy, Chanel's artistic director of fashion collections, backstage after his debut show for the maison in October.

It's an interesting connection between that table and these clothes, because Marc Jacobs has been in Wonderland for a few seasons, making garments swollen with great buboes of fabric and wadding that distended and deformed the body, like majestic mutants. They were wondrously otherworldly, outscale and, to most people, unwearable. Intentionally so. This collection, by contrast, brought Jacobs literally down to earth, taking his models off teetering platforms and into plain old high heels.

Play Hard captures the essence of growing up surrounded by the echoes of empty arcades, the chill of coastal winds, and fleeting moments of joy found in skateboarding culture. It reflects on personal memories shaped by resilience, freedom, and creativity in an environment where opportunities were scarce. The collection embraces an aesthetic that values imperfection, emphasising the beauty found in fragility and the strength derived from community.

As an interdisciplinary artist, Madita defies simple categorisation, moving fluidly between the worlds of fine art, fashion, and performative expression. In this photo editorial, Madita proves that the artist and the artwork are often the same.

GANGSTAAA presents a playful collision of two distinct realms: the edgy essence of street style influenced by rap culture intertwines with a fresh interpretation of Old Hollywood glamour. With a provocatively sarcastic yet charmingly humorous tone, the collection crafts a gangster figure that defies norms and promotes positive change through style and attitude. This line intentionally embraces contrasts, merging urban style with classic elegance while challenging societal expectations without sacrificing sophistication.

Captured beautifully by Shin Jeong Hoon, this collection is a poignant homage to the rich tapestry of East African heritage. When millennial East Africans revisit vintage photographs of their grandparents, joyously dancing on polished parquet floors or posing with vintage Citroens and Beetles against a backdrop of brilliantly blooming bougainvillaea, one can't help but feel a wave of nostalgia. Something is captivating about that wooden floor, their natural hair,