#nia-dacosta tag

'28 Years Later: The Bone Temple' Is Bonkers But Triumphant

You know what zombie movies never seem to have enough of? Dancing. They've got gore and screaming and lots of guttural snarling, but no boogie. That all changes with 28 Years Later: The Bone Temple and the dancing here is to - naturally off-kilter - 1980s heroes Duran Duran. Nia DaCosta directs from a returning Alex Garland script and it starts right where 2025's 28 Years Later - directed by Danny Boyle - left off.

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fromInverse

'28 Years Later: The Bone Temple's Most Brutal Scene Was "Tough" To Shoot

The Bone Temple contains an exceptionally brutal non-Infected scene where captors skin hostages, pushing the film into splatter territory despite an overall lighter tone.

fromInverse

'The Marvels' Director Knew The 'Avengers: Doomsday' Captain America Reveal "For Years"

the best didn't happen this time, but you kind of have to trust in the machine.

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fromKqed

'28 Years Later: The Bone Temple' Is Bonkers But Triumphant

28 Years Later: The Bone Temple features unexpected dance sequences set to 1980s Duran Duran songs amid zombie gore and ultraviolence.

#28-years-later

fromIndieWire

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'28 Years Later: The Bone Temple' Director Nia DaCosta Needed to Make the Unsparing Sequel Her Own Way

fromConsequence

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28 Years Later: The Bone Temple Is Often Scary, Sometimes Sweet, and Metal as Hell: Review

fromIndieWire

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'28 Years Later: The Bone Temple' Director Nia DaCosta Needed to Make the Unsparing Sequel Her Own Way

fromConsequence

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28 Years Later: The Bone Temple Is Often Scary, Sometimes Sweet, and Metal as Hell: Review

The Bone Temple turns 28 Years Later into a terrifying crisis of faith

Nia DaCosta's 28 Years Later sequel reframes the franchise as a spiritual, comedic-tinged end-times horror emphasizing community and human connection.

fromPinkNews | Latest lesbian, gay, bi and trans news | LGBTQ+ news

Tessa Thompson and Nia DaCosta on putting a queer spin on Hedda Garbler

Hedda Gabler defined the archetypal manipulative femme fatale and continues to inspire countless adaptations and debates about female agency and domestic oppression.

fromFilmmaker Magazine

Podcast interview: Actress Nina Hoss

Nina Hoss collaborates with Christian Petzold, appears in Tar, Barbara, Phoenix, Homeland, and Hedda; uses environment as communication and sometimes rehearses in German.

fromRoger Ebert

How to Define Freedom: Nia DaCosta on "Hedda" | Interviews | Roger Ebert

Nia DaCosta is a versatile Black filmmaker navigating genres and scales, returning to intimate character storytelling with a stylish, queer-adjacent film titled Hedda.

fromwww.theguardian.com