#production-design

#production-design

Going into the woods can evoke scary thoughts of wild animals and creepy people, but not so for the magical forest displayed in SF Playhouse's stunning production of Into the Woods. Beautifully designed by Heather Kenyon, these woods feature lush trees and foliage with one tall tree rotating to become Rapunzel's tower. Bill English cleverly directs his impressive cast with just the right amount of sarcasm, humor and tender moments. His slightly over-the-top look at storybook characters gone awry

According to Cunningham, one of the many Ingelsby collaborators who worked on both series, despite the similarities in location, crime genre, and the creator's distinctive voice, "Task" was a different mode of visual storytelling. Gone were the claustrophobic,  overcast gray and blue vibes of "Mare;" "Task" moved outside of the domestic drama into the natural world, with a summer color palette and its own approach to cinematic storytelling led by executive producer and director Jeremiah Zagar ("We the Animals," "Hustle").

"When you read Mary Shelley's book, it is like a tour of different exotic locations," Frankenstein production designer Tamera Deverell says of the source material for her new Netflix film. "It takes place in Lake Como in Italy. It takes place in Switzerland. It takes place in Edinburgh, where we shot. It takes place in the north. It's a fantastic travelogue."

We hate to break it to you, but Stars Hollow, Connecticut, is not a real place. Yet the endearing small town depicted in Gilmore Girls was so flush with quaint details-falling leaves, quirky gatherings, and sweet little nooks such as Taylor's Olde Fashioned Soda Shoppe, Stars Hollow Books, and Weston's Bakery -that it's easy to imagine Lorelai and Rory Gilmore gabbing over coffee at the retro-style Luke's Diner at this very moment.

There's a ubiquitous prop in just about every police procedural and conspiracy thriller: a cork board pinned with documents, newspaper clippings, and Polaroid photos, all connected by a web of red string. They go by many names, including pin boards, string boards, evidence boards, investigation walls, conspiracy walls, and walls of crazy. These boards can be vehicles of insight or manifestations of madness-and in many cases, both. But where did they come from? And can they really solve a crime?

In a movie you have a couple hours to spend with the characters, in these spots you only have a few seconds to get invested and start rooting for them. So each one needed a perfect micro performance, timed flawlessly with the camera movement, and music doing the right thing at the right moment for it all to work.

Stuart Craig was a softly spoken, gentle soul full of grace, tall, slender, willowy, polite and kind but despite appearances he masterfully stewarded a gigantic industrial creative machine. The art department for Harry Potter was huge, and Stuart guided teams across multiple skill sets concept artists, prop makers, construction workers, painters and decorators, plasterers and model makers to realise the fabric and architecture of JK Rowling's world.

Chaos erupts after the USCSS Maginot, a Weyland-Yutani research ship, crash-lands in Prodigy City on Neverland, leading to a clash over its terrifying cargo.

The production design categories are no longer just token nods to the craft departments; they're becoming predictors of overall success.