"Kaprow's 'happening' first staged in 1959 at New York's Reuben Gallery, divided the space into three rooms where painters, performers, and slide projections operated simultaneously."
"Kaprow argues that if Pollock's genius lay in the 'action' of painting, then the canvas itself is an unnecessary remainder, a concession to the commodity form."
"Yard (1961) fills the courtyard of the Martha Jackson Gallery with hundreds of discarded tires, making the proposition concrete: the art is not the tires but the act of climbing through them."
"By the mid-1960s, 'happening' had migrated from avant-garde shorthand to pop-cultural currency, leading Kaprow to abandon the term entirely."
Allan Kaprow's 'happening' emerged in the late 1950s, replacing traditional art objects with events that involve space, bodies, and instructions. The first 'happening,' staged in 1959, divided a gallery into rooms where participants engaged actively rather than passively observing. Influenced by abstract expressionism and John Cage's theories, Kaprow viewed the gallery as a scored environment. By the mid-1960s, the term 'happening' became mainstream, prompting Kaprow to abandon it, reflecting its dilution from avant-garde to pop culture.
Read at designboom | architecture & design magazine
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