"The most-visible type is an artist who digs into the history of colonialism, surfaces some charged document or symbol, and highlights it by doing something poetic with it."
"Nolan Oswald Dennis's display of globular glass containers full of earthworms, which are fed pages from the text of philosopher Frantz Fanon's The Wretched of the Earth, turns it into soil."
"Kapwani Kiwanga's Flowers for Africa involves recreating historic flower arrangements from documentation of African liberation ceremonies, allowing them to wilt as a commentary on history."
"Tuan Andrew Nguyen has made sculptural mobiles from the leftover of bombs from the Vietnam War, while Sammy Baloji has made planters out of shell casings."
The last four years of international biennials have prominently featured post-colonial post-conceptualism, where artists explore colonial histories and their impacts. Notable figures include Nolan Oswald Dennis, who uses earthworms to transform philosophical texts into soil, and Kapwani Kiwanga, who recreates historical flower arrangements from African liberation ceremonies. Other artists incorporate materials linked to historical violence, such as Tuan Andrew Nguyen's bomb remnants and Sammy Baloji's shell casing planters. Additionally, alternative histories and critical science fiction have emerged as significant themes in contemporary art.
Read at Artnet News
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