The Almaty Museum of Arts has opened its doors in Kazakhstan's cultural capital, welcoming visitors to a monumental new space for modern and contemporary art. Designed by British practice Chapman Taylor, the 10,060-square-meter museum stands at the edge of the city with the Tian Shan mountains rising behind it, an architectural gesture that captures the tension between urban life and the natural landscape.
"Commissioning for us is important but it's not only about financing, [it is about] realising the works and obviously showing them. "When the idea of developing a joint project arose, it felt like a natural and fantastic opportunity to really align with the vision of my foundation, which celebrates its 30th anniversary this year."
Coinciding with the launch of The Unibrow magazine, T&Y Projects will host The Unibrow: A Post-Juxtapoz Story at 30, Part 2, an exhibition curated by Juxtapoz editor and The Unibrow co-founder, Evan Pricco. The show marks the last years of Juxtapoz magazine and the beginning of a new arts biannual, The Unibrow. The exhibition is seen as a bridge between cultures, a nuanced look at the long-standing conversation between Japan and California in both conceptual ways and direct narratives.
Opened to the public in 1993, YBCA was founded as the cultural anchor of San Francisco's Yerba Buena Gardens neighborhood. Our work spans the realms of contemporary art, performance, film, civic engagement, and public life. Centering artists as essential to social and cultural movement, YBCA is reimagining the role an arts institution can play in the community it serves. YBCA is located in the heart of San Francisco's SOMA neighborhood, across the street from SFMOMA and the Moscone Convention Center.
KADIST, the art gallery at 20th and Folsom streets known for its video and modern art, is shutting its Mission District outpost after 14 years. Instead the organization will continue to shift focus to international collaborations curating and connecting artists with museums. Most Mission residents may know the gallery best for its rotating window displays overlooking Folsom Street - a neon green marijuana leaf for a few months gives way to another neon sign exhibition by artist Mungo Thomson.
When a virulent material enters an ecosystem, it can wreak havoc on existing life. Bittersweet vines in Upstate New York, for example, were brought to the region in the second half of the 19th century to combat erosion and for their sinuous, woody beauty. Native to eastern Asia, these largely poisonous plants quickly became invasive, smothering other specimens and even uprooting trees.
Even though apartheid ended in the 1990s, "the residue of 300 years of exploitation and oppression is still very much with us," Kentridge told DW in 2016 of an era that remains a key theme in his work. The "Listen to the Echo" exhibition traces William Kentridge's artistic development from the late 1970s when deep racial divisions persisted in his homeland. In addition to drawings and films from the renowned "Drawings for Projection" that explored the social and political undercurrents of life in apartheid South Africa, the show includes prints, sculptures, tapestries, and multi-channel film installations.
Renzo Piano Building Workshop, in collaboration with Betaplan Architects (Athens) and landscape architect Camille Muller (Paris), has revealed the first images of a new cultural center under development in Piraeus, the port of Athens. Commissioned by The Dinos and Lia Martinos Foundation (DLMF), the project seeks to establish an international hub connected to similar art centers abroad, open to the local community, students, and visitors, and contributing to the urban and cultural fabric of the Athens metropolitan area.
The Gunton Arms is not your average country pub however. Rather than being in the heart of cute little village, it's tucked inside the 1,000-acre grounds of Gunton Park, surrounded by wide open fields and lots and lots of deer. It's run by art dealer Ivor Braka, and his eclectic collection is scattered throughout the pub and bedrooms - think Tracey Emin in the dining room, Damien Hirst in the bar - making it as much gallery as gastropub.
Berlin, September 2025 - Mark your calendars for an unmissable event during Berlin Art Week: MATERIAL, a revolutionary hybrid exhibition, is set to debut at the iconic Alhambra Berlin, located at Kurfürstendamm 68. Curated by the visionary Julian Daynov and created in collaboration with artist Peter-Maximilian Ronsdorf and 3D stage designer Finn Dudek, this exhibition will not only redefine your understanding of art but will also bridge the gap between physical and digital spaces.
Continuing the Biennial's approach of engaging directly with Istanbul through a dispersed model rather than a fixed venue, this edition will use eight sites located within walking distance along the Beyoğlu- Karaköy axis. Over this period, works by 47 artists from more than 30 countries will be presented to the public, accompanied by a program of performances, screenings, and live events during the opening week.
Naomi Beckwith, the artistic director of documenta 16, has unveiled her creative team for the next edition of the contemporary art exhibition, which will take place in 2027 (12 June-19 September). This marks the first time that the influential show, which is held in the German city of Kassel every five years, will be led by an all-female team. Beckwith, the deputy director and chief curator of the Solomon R. Guggenheim Museum, was announced as the curator of the 16th edition of Documenta in December last year.
The iconic institution, long recognized as one of the leading spaces for contemporary art by artists of African descent, will debut its brand-new 82,000-square-foot building.
The Felipe Pantone CDM30 Round Inflatable Pool Lounger merges contemporary street art with poolside comfort, turning any space into a vibrant gallery while providing relaxation.
Davide Bugarin and Angel Cohn Castle, known as Bugarin + Castle, will represent Scotland at the Venice Biennale with a work focusing on complex emotional legacies.
Rachel Hayes transforms architectural spaces and natural landscapes into shifting compositions of color and movement with large-scale textile-based installations that are site-specific and vibrant.