Carrie Bradshaw Pivots to Reels
Briefly

Distant familial relations often provoke feelings of guilt, paralleling sentiments towards the series 'And Just Like That...'. Initial enthusiasm waned, leading to abandonment by many viewers before the concluding season. Notable plot points include the character Aidan being deemed unworthy, the introduction of new character traits, and peripheral events involving familiar personalities. Speculation remains about various unresolved story elements while acknowledging a possible legacy akin to that of van Gogh, suggesting future appreciation may increase post-cancellation.
'Aidan is still a pathetic, hideous loser who should be disenfranchised.' This blunt sentiment highlights a critical view of character development within the series.
'Someone texts Samantha.' This intriguing plot point indicates a connection that remains unresolved, feeding the curiosity of viewers.
'Rosie O'Donnell is a virgin lesbian nun who loves Wicked.' This statement underscores unexpected character profiles that can emerge in the narrative.
'Maybe And Just Like That ... will be like van Gogh: more valuable, easier to appreciate, after death.' This reflects a paradoxical hope for the series' legacy.
Read at Vulture
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