Sprouting from the roof of the San Francisco Museum of Modern Art, artist Rose B. Simpson's newly installed bronze sculpture "Behold" has its gaze fixed on the cityscape before it. The Tewa of Khaʼpʼoe Ówîngeh artist, herself a mother, crafted a tender portrait of an interconnected parent and child that "asks us to be human with each other, to change our narrative through wonder, witness and a foundation in the soft warmth of our humanity," she said in a statement.
Beneath the layers of dirt accumulated over the centuries, a very particular color palette appeared. The tones, the blends, the way the human figure was treated: all of it began to resemble the style Michelangelo would use years later in none other than the Sistine Chapel.
This doesn't happen often, says Flora Karagianni, director of EKBMM. Usually, we already know about the frescoes and we restore them. To see white walls suddenly reveal figures and faces is a moment of great joy and revelation. This did not happen elsewhere. In other monuments we've preserved outside Greece, the frescoes were known and we simply did cleaning and stabilization. The joy of such a discovery, we truly experienced at the Church of Saint Nicholas.
During conservation work this year, specialists discovered seven bullet wounds, inflicted by German troops during the Second World War, in the copper of the Madonna and Child statue that stands atop Notre-Dame de la Garde in Marseille, the basilica crowning the city's highest peak. Known locally as la Bonne Mère (the good mother), she is said to watch over sailors, fishermen and all Marseillais.
With a vast maritime empire and firm control of overland Silk Road routes, Venice in the early 16th century was at its peak. The artist synonymous with those dazzling years is Vittore Carpaccio (around 1465-1525/26) whose religious scenes often had an urbane and elaborate splendour that places them immediately in what was then likely Europe's richest enclave. To a remarkable degree, the major works of Carpaccio are still to be found in Venice proper,
At Harvard Art Museums, paintings by renowned artists such as Pablo Picasso, John Singer Sargent, Edgar Degas, Piet Mondrian, and Georges Seurat capture viewers' attention with their rich colors and practiced brush strokes. A fall exhibition strips down the styles that made these artists, and others, famous to expose raw expression and experimentation in the most basic form of composition - drawing.
There was a separate HVAC system for the Nevelson Chapel, but it was tied to the larger building's HVAC, so when one was shut off, the other shut off too. This led to the chapel's relative humidity rising to levels of close to 90%. "It caused some of the paint to peel in this extreme way," Singer tells The Art Newspaper.
In " Down Cemetery Road," Ruth Wilson looks like a frog. It's just in the first shot, when Wilson's character, Sarah Tucker, examines a priceless piece of art, as art conservationists tend to do. But director Natalie Bailey introduces her co-lead head-on: The extended magnifying glasses hang a few inches in front of her face, and the audience peers back at her baby-blue eyes as they bulge disproportionately from her studious visage.
A Banksy artwork has appeared in the London Transport Museum, following its creation by the anonymous artist in 2019. The artwork depicts a rat hanging from the arm of a clock and appeared in front of the artist's pop-up showroom installation, Gross Domestic Product. It was featured in a video posted by Banksy on Instagram in October 2019 and resembles the famous Harold Lloyd clock scene in his 1923 movie, Safety Last!
In the 1970s two scientists at the British Museum and the National Gallery in London did some research and made recommendations to their institutions based on the requirements of the HVAC system to maintain human comfort.
