Ed Sheeran's Pollock homage has energy but no feeling or truth
Ed Sheeran paints in a protective suit, contrasting with messy artists like Jenny Saville and Van Gogh, highlighting the playful nature and perceived safety of his approach.
Leonardo Drew review are these towers of debris the ruins of America?
Leonardo Drew's installation represents the aftermath of the American dream, contrasting Pollock's improvisational spirit with a poignant critique of contemporary society.
An irrelevant bourgeois ritual: this year's Turner prize shortlist is the soppiest ever
It's the earnestness of today's high-stakes culture wars that has dulled the Turner prize's edge, making this year's shortlist disappointing and uninspired.
Juxtapoz Magazine - Jim Jarmusch Makes "some more collages"
Jim Jarmusch's collages echo his cinematic storytelling, blending eclectic elements into a cohesive narrative for a multidimensional viewer experience.
A filmmaker responds to Lars von Trier's call for a new muse with a unique application | Aeon Videos
Faison reflects on the troubling notion of the female muse, particularly how Lars von Trier's provocative films illuminate gender dynamics and the potential exploitation in art.
London's Public Art: Recalling - Revealing - Remaining
The stone slab, a work of public art by Guðrún Sigríður Haraldsdottir, represents layers of history and site evolution, though its artistry lacks initial architectural collaboration.
Mickalene Thomas Doesn't Need the Whitney Biennial
Mickalene Thomas's artwork is a bold celebration of Black womanhood, using vibrant colors and cultural references to assert identity and presence in the art world.
KAWS has succeeded in crossing the boundary between Pop art and broader popular art. Despite previous indifference, I now recognize him as a true artist.
'This has gotta be a prank': The Internet has opinions about Dwyane Wade's new statue
The Internet collectively disapproved of Dwyane Wade's statue, citing its poor likeness to the NBA legend and expressing sympathy for the artist’s intent.
"Büchel generates gorgeously messed-up spaces, reveling like a pig in shit in site-specificity, architectural intervention, and archival reclassification. Rooms that are presumably usually hidden, possibly never renovated, are open to the public."