CHICAGO - With her iconic long dark hair curtaining her demure countenance, Yoko Ono has been in my personal pantheon of women makers for most of my life. When I was a distraught teenager in a midwestern suburb, she was there - singing discordant arias from my bedroom stereo. Her siren call couldn't quite be deciphered, but, like a feminist signal from afar, it cut through the fog of oppressive cultural forces.
Our friend just opened a new solo show, KOM INTE OCH KNACKA PÅ (Don't Come and Knock) at Galleri Thomassen in Gothenburg, Sweden. The show consists of many new works on paper "Isolation and fear were recurring thoughts during the work. I often get stuck on a single word or sentence, this should not be mistaken for a theme or an explanation. Rather, the process itself should lead the works in the direction they wish." - Daniel Götesson 2025