Technology is currently one of the most powerful forces shaping our lives, our economies, our politics, and even our sense of identity and reality. Cultural institutions cannot remain outside of that conversation. If museums are places where society reflects on itself, then they must engage with the technologies that are actively transforming it.
The work features dramatic golden hour sunsets fading into starlit skies, motorbikes on quiet roads under the Milky Way, serene lakes, and coastal horizons with a smooth, filmic quality. The aesthetic blends anime vibes with high-end cinematic mood: soft gradients, starry nights, peaceful waters, and ethereal lighting.
Poetry and artificial intelligence can appear as oppositesone deeply human; the other cold and mechanical. Sasha Stiles sees them as expressions of the same impulse. Poetry, the Kalmyk- American poet argues, is one of our most ancient and enduring technologies, a system of meter and rhyme invented to store vital information. She views AI as its natural heir. Stiles's path to AI began with literature, not code.
In illustrator Chiara Xie 's work, everything is in motion. Rooted in a deep reverence for vitality, Chiara is fascinated by "the rhythm that flows through a scene", lingering like a suspended breath, and other times "surging as a vibrant, agile current of motion". It's not hard to know what she means: every illustration is filled with motion, arcs of light and air bouncing off every corner.
LG Gallery+ is a new visual curation service for LG TVs - and a brilliant way to make your home more unique and personalized. It lets you express your ever-changing creativity with a massive library of classic art, digital and 3D artwork, scenery, games, and more. With more than 4,500 options to choose from, you can turn your LG TV into a world-class art gallery, a peaceful forest, or an homage to your favorite video game - all in the same day.
Inside NYC-based artist Mark Dorf's project Late Pastoral, the ecological world is trapped in a rear-illuminated print. It's real - but something is off, it's been digitally altered, data-noise clutters images of glowing plant life. Shaped by the pervasive influence of technology, design and the rhythms of digital connectivity, even nature becomes at one with the unreal. Non-human nature is the main thesis of Mark's wide-spanning digital art works, offering reflections on our digital age.
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As AI continues to reshape our understanding of reality, ownership, and storytelling, how do artists and technologists navigate this new landscape? Earth Oracle brings together diverse perspectives to discuss the tools, ethics, and potential of our digital future. The evening will begin with a special presentation by artist Delphine Diallo, followed by a panel discussion featuring Clarisse Neu (Google DeepMind) and Patricia Buffa (Adobe).
Digital by Nature: The Art of Miguel Chevalier at Kunsthalle München presents the artist's largest solo exhibition in Europe to date, curated by Franziska Stöhr. The exhibition surveys Miguel Chevalier's practice from the early 1980s to the present, tracing his sustained engagement with digital technologies as both tools and subjects of artistic inquiry. Born in 1959 in Mexico City and based in Paris, Chevalier has worked with computers as a creative medium for more than four decades.
"What's different about this year is that we are going beyond the idea of what a traditional fair is and what it could mean within the context of the Black artistic landscape," Andrieux tells The Art Newspaper.
Fuse is an Italian digital art studio and production company led by founders Mattia Carretti and Luca Camellini, and a group of engineers, designers, architects and artists who stage artworks, shows and exhibits, including tonight's Dӧkk.
The Instagram post promoting the handbag, which has a label to say it was made using AI, shows a "surreal" collage of models spliced between Valentino logos and its DeVain bag. At one point it shows models seemingly emerge from an ornate gold version of the handbag. At another, the brand's logo transforms into people's arms, before these morph into a coalescing swirl of bodies.
"We're happy about it," festival director Martin Pošta says about the mention. "It's a kind of recognition." Not that the event needed promotion, even in one of the most anticipated novels of recent years. The organizers have yet to share the number of visitors to the festival this year, but the four-day event typically attracts half a million visitors. On the final day, there was a long queue in front of the monumental installation Tristan's
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A few weeks ago, in an interview with Associated Press journalist Liam McEwan, Ringo Starr said he got into digital painting in the 1990s using the program Kid Pix. "The big thing about that," Ringo remembered, "was it had the bucket, and you pressed that and...whoosh...it's all blue." "So hilarious," McEwan responded, "My brother and I used to slam that all the time. It was a great creative outlet." At one point in the conversation, the ex-Beatle looked directly into the camera and implored listeners who had access to the older version of Kid Pix, to send it in.
Spanning over 10,000 square meters, teamLab Biovortex Kyoto is now the collective's largest exhibition in Japan, and perhaps its most conceptually daring. Designed as part of the Kyoto Station Southeast Area Project, this new museum isn't just an addition to the city's cultural landscape - it's a living, breathing ecosystem of light, sound, and movement. Located in Kyoto's Minami-ku district, this permanent museum marks a monumental chapter in teamLab's creative evolution, blending technology, environment, and human experience in one breathtaking, ever-changing space.
HoloSculpture integrates AI, display technology, and sound HoloSculpture is an interactive artwork developed by Turbulence Lab and Hamza Kırbaş that integrates artificial intelligence, anamorphic display technology, and within a single physical object. Conceived as both a sculptural form and a digital interface, the project explores how AI can be embodied in a tangible medium. The piece incorporates a 4D anamorphic display, which generates a sense of depth and spatial presence, and a studio-grade sound system that enhances audiovisual interaction.
