"[James Gunn] may love this source material, but he approaches it with a mixture of sincerity and irreverence that makes his new movie feel like a window being thrown open to a sunny day after years of oppressively dour DC action. He doesn't politicize Superman, exactly. He just returns the character to his roots as the creation of two Jewish American men whose families fled the pogroms and who gave their extraterrestrial defender of the planet a background as a refugee himself." -Alison Willmore
'This year's lineup seemed slanted a little more heavily toward documentaries than in the past, and a number of them were also celebrity-driven with a particular emphasis on music-related projects.'
Trachtenberg's skill in crafting thrilling narratives is evident in 'Predator: Killer of Killers,' which introduces a compelling new storyline that reshapes expectations for the franchise.
There are wonderful moments of humanity and hope; I don't usually respond to hug moments in drama: and yet the (soon to be classic) scene here in which a woman has to hug her grandson's friend in the absence of the grandson himself is overwhelming.
"Kraven the Hunter received overwhelmingly negative reviews, earning a mere 14% on Rotten Tomatoes, with a critic describing it as an 'undercooked pile of steaming mediocrity.'"},{
"Venom: The Last Dance" has opened with only $51 million, significantly lower than its predecessors, which indicated a notable decline in franchise interest and box office performance.