Galerie Nordenhake Mexico City is pleased to present Zigzags and Curves, an exhibition by Sarah Crowner that brings together her sustained research into geometry, abstraction, and the expanded language of painting. Presented across two sites - the gallery's Mexico City space and Casa Roja in Lomas de Chapultepec-the exhibition takes its title from the fundamental graphic elements that structure Crowner's visual vocabulary: the zigzag and the curve.
Over the past two decades, Clare Rojas has developed a deeply personal visual language that is equally rooted in mythology, ecofeminism, as well as the legacy of abstraction. Moving freely from dense, fantastical landscapes to minimal compositions, Rojas' own experiences are often the starting points of her paintings, connecting these to nearly fantastical depictions of the environments in which she works.
In Bless Babel, each painting builds around a singular central niche, suggesting the absence of a subject. Confronted with this vacancy, the viewer finds themselves at the center of Kleberg's geometric abstractions. Influenced by architectural and ritualistic spaces, the works in Bless Babel investigate the tropes through which conception is framed by institutional or personal belief. Kleberg's paintings are not interested in objective truth, but rather in how belief transforms our relationship to space and objects.
The constraints imposed by the limited materials create a tension between predictability and variation, between system and spontaneity. Much like a cartographer's grid, these compositions are born of both discipline and play.