Armand Hammer and the Alchemist are getting back together for a new album. After connecting on 2021's , they'll drop on November 7 via billy woods' Backwoodz Studioz. The project will feature guest contributions from Earl Sweatshirt, Quelle Chris, Cleo Reed, Pink Siifu, Kapwani, and Silka. See the tracklist and the album artwork, by M. Musgrove, below. Ahead of the album's release, on Thursday, October 23, Armand Hammer and the Alchemist will play a show together at Los Angeles' Lodge Room.
This label has taken off on the internet and threatens to become the number one title for hot dogs. Confusingly, the name eschews the traditional slang for hot dogs that reference the sausage's origins with names like frankfurter, or its makeup with names like tube steak, and instead refers to a firearm. Specifically, the word glizzy is apparently derived from the Glock handgun, with the suffix "izzy" tacked on after the first couple letters.
The tour kicks off November 13 in Portland, Oregon, and will snake its way through major U.S. cities like Los Angeles, Chicago, Atlanta, and New York before concluding in Miami Beach on December 15.
Time has been surprisingly kind to 50 Cent: Bulletproof, which is 20 this November. In this shooter, 50 Cent gets caught up in a shadowy underground network full of dodgy terrorists, racist biker gangs and mouthy mafia members.
Aesop Rock's "Roadwork Rappin'" transforms mundane construction imagery into poetic density, illustrating his ability to find significance in the ordinary with humor and craft.
With the release of "Eat Couch," Hit-Boy showcases unapologetic energy through bold lyrics and a playful, bass-heavy beat, creating a nightlife anthem for late hours.
Young Dro's intensity elevates everyone in his radius, switching from laid-back to triple-time spitting, inciting a call-and-response, making it feel as though he's rapping to get another record deal.
"AMB started out as just a collaboration and now it's a brand and a growing piece of California music culture," Chuuwee said, reflecting on the project’s evolution.
"One-four, two-five, my math came from the go-go / My rap came from the culture, my rap game from the GOAT though," Wale declares, grounding his identity in both regional rhythm and generational excellence.
Mick Jenkins kicks things off with clinical precision. Every bar feels designed-tight rhyme patterns, layered schemes, and a vocal cadence that swings between restrained and menacing.