#album-release

#album-release

"This album, like our first album, was all made by the same people at the same time in the same place. It has its own musical universe. Even as songs pull apart and get further afield, it became naturally cohesive."

Waxahatchee expressed, 'I'm honored to be included in this re-record project as the album Box for Buddy, Box for Star has meant so much to me these last few years.' She praised Nate Amos, stating, 'I think Nate is one of the best songwriters of this moment, making music that feels current and timeless and also somehow ahead of a curve.'

Dwarves have announced their 17th studio album, titled J ENKEM, set to arrive June 6th via Greedy Records. In support of the upcoming record, the veteran punk band will embark on US tours in the spring and fall.

Despite the injury, he remains fully mobile and in good spirits as he continues his recovery. Stevens still plans to release his upcoming album, 'Favorites Old & New,' this Friday.

Originally considered to be the title track - it's a powerful, melodic and to the point track with the classic At the Gates style sound.

"Packed the van and spun through being cool, Man, those drive-thru years really went slow/ Wawa lights in the rearview was making it."

"What if 'The Hum' is the culmination of all the pain in the world, creating an audible signal across the universe?" Converge vocalist Jacob Bannon reflects on the inspiration behind the album.

"At 2 a.m., sitting up and contemplating our loss during my child's wake, I found myself reflecting on all the major news events that had left their mark on me through the years and the helplessness I sometimes felt to change anything. Writing the last verse was the most difficult and personal thing I've done."

'Bully' follows Ye's recent placement of a full-page ad in the Wall Street Journal in which he apologized for years of antisemitic remarks and attributed his behavior to medical issues stemming from injuries he sustained in a 2002 car crash.

Grey's newest album, 'U,' has become a critical hit, receiving a Best New Music designation from Pitchfork and a five-star review from NME, showcasing its popularity and acclaim.

I offered myself FOUR days rather than just the two, and perhaps that's a cheat, but since it was Memorial Day weekend I decided to allow it.

The album title, The Boys of Dungeon Lane, comes from a lyric in this track. I was thinking just that, about the days I left behind and I do often wonder if I'm just writing about the past but then I think how can you write about anything else? It's just a lot of memories of Liverpool.

Courtney Barnett celebrated the early release of her highly anticipated fourth album, Creature of Habit, with an intimate performance at Rough Trade in NYC, featuring five new songs and two older tracks.

The initiative aspires to create 'a new blueprint for artist launches moving forward.' This partnership integrates fan interaction, live broadcast distribution, and platform-native amplification.

Guests on Lavender Networks include Zola Jesus, Brothertiger, Naliah Hunter, Lipsticism, and Angel Marcloid's wife, Liverfire, and sister Sling Beam. A more off-piste guest, Americana singer Jennifer Holm, also features.

The album showcases an audacious blend of trap, rock, pop, and experimental elements, all infused with a refreshing emotional honesty.

This record is rooted in the feelings of revenge and vindication. These are emotions that can either push us forward or hold us back. There's a duality to them. They can fuel growth, drive ambition, and help us rise above what's tried to break us, but they can also become destructive if we let them consume us.

No, it doesn't come out in May. We're putting out our first song and video in May. The record is not coming out till September. We pushed it back a little bit. We just had to do a couple of other things to it. It's coming out in September, but the first song and video will be out in May.

Every member of BTS launched fully-fledged solo eras, complete with new albums, singles, tours, guest appearances, and more. Each member used the hiatus to explore a different corner of his artistic identity, from Suga's rock-infused Agust D shows to V's jazz-tinted solo debut.

I started writing this album because I was seeing so much of the world and watching what was happening. I felt like I had something important to say. I was writing this almost for necessity because there were so many people not saying what needed to be said. I feel like I'm a student of Nina Simone, and she said, 'the purpose of an artist is to reflect the times they live in.'

We were pretty stoked to make another album after the success of our previous album and its single 'Pepper.' Capitol Records was stoked to get that next record until our relationship soured.

With our music, I particularly like to be on the extremes of things. So if it's supposed to be pretty in your face, I like to be fairly in your face. And then at the same time, if it's kind of warm and gentle, I like that to be as warm and gentle as possible. I'm interested in those juxtapositions and making those, that's how we want it to come across.

It started out as an album full of death metal songs with speed and aggression. Then Chris had the brilliant idea to keep half of those death metal songs and add some groovier songs in the vein of the early SIX FEET UNDER material.

"There You Were (Alligator Song)" is their first-ever video and it was directed by Lucas Cabu and shot entirely at a live show on a Manhattan rooftop where - spoiler alert - the cops do show up. "We shot this video at an undisclosed location but it was originally just another show for us that turned into a video," says Fizzy, Loosey's vocalist.

I didn't want to necessarily make a Memoryland 2, but to me this is an organic successor to that album. The overall vibe of L.U.V. is meant to be sort of Eurodance with a sophisticated edge. It's music for an adult lifestyle.

Deeply influenced by both gospel and soul, by his teenage years he was a guitarist backing Z.Z. Hill and Joe Tex. Rawls went on to serve as long-time musical director for O.V. Wright, a role he maintained until Wright's death in 1980.

At some point in making this record I realized the album I wanted to make was one that reflected my identity as both Iranian and American. Pushing the most Iranian elements right up against the most American ones brought me a certain kind of joy. The first time I put microtonal saz melodies over Western guitar chords, I was thrown off by the way the two rubbed together. But the more I listened the more I became drawn to that rub.

We've both been fans of Nate's for a long time, and loved getting to rework one of our favorite This is Lorelei songs. His natural way with lyrics and melodies made it easy to translate the song to a different place for this project. It also happened to be the song that started Power Snatch.