The production that just opened at OSF, directed by Marcela Lorca, is the best I have seen. Working with a strong cast and a spectacular movement and design team, this production crackles with vitality and originality.
MarcAurele knew he had to strike while the iron was red-hot, so he got to writing, and in just three short weeks he was bringing the show to life, complete with a number that explored the inherent musicality of that bike scene and another that featured a chorus lauding 'gay hockey players with big butts' as if they were singing a church hymn.
In its infamous finale, a woman is tricked into eating her children. The multiple limb hackings in Titus Andronicus are part of a smorgasbord of grotesque recrimination that also includes adultery, murder, rape and mutilation.
"While OrpheusPDX has not incurred debt and is not facing an immediate financial crisis, the company is responding proactively to shifting funding realities by taking a deliberate, strategic pause."
I didn't know who I was as a writer. I didn't know my voice or style. I was trying to be whatever writer I loved at the moment. You have to find authenticity, find your own voice. Marie's class gave me the ability to be a storyteller.
This is an all-hands-on-deck moment for women across the world, referring to a coordinated, deliberate effort to dismantle the progress toward women's equality. The effects of this growing inequality in the U.S. are magnified for women from marginalized communities, who already face barriers to financial and educational opportunities.
Good news, the Mercury's reader Valentines are back, and they're in print and online! DID YOU GET ONE? CHECK AND SEE! That's right, we've been collecting hundreds of your 150 characters love notes-many of which are crammed into our current print issue, on the streets in more than 500 spots around the city-and online right here! And while you may have missed our print deadline, DO NOT FRET!
In three January weekends you all showed up for a one-composer concert presented by A Notion, A Scream; a preview of In Medio's ACDA performance ahead in March; Resonance Ensemble on stage with Sweet Honey in the Rock®; Oregon Chorale's journey to The Planets with the Beaverton Symphony; and Evenstar Ensemble taking us all back to the days of Duchies.
It was the first Wednesday of December and the last One-Page Wednesday of 2025. Hosted by Portland novelist Emme Lund (The Boy with a Bird in His Chest) at the Literary Arts bookstore, the free monthly event is an open mic that functions more like a public writers' group. Students, aspiring writers, and National Book Award-winning authors hang out and read aloud one page from a work in progress.
The third Wednesday or Thursday evening of each month, comic book shop Books with Pictures ( 1401 SE Division St) hosts this open-invite book club devoted to a wide variety of graphic novels-from the Bitter Root series, about a family of sympathetic monster hunters during the Harlem Renaissance, to an illustrated retelling of the 1872 queer vampire murder mystery Carmilla. Sometimes artists and writers join to talk about their latest work.
It locates the play's beginning in the imagined anguish of Shakespeare and his wife Agnes (or Anne) Hathaway at the death of their son Hamnet at the age of 11 in 1596, a few years before the play's first performance. The nearness of the names is not supposed to be some monumental Freudian slip; there is linguistic evidence that the two could be used interchangeably.
First up then is Emily Lim's production of A Midsummer Night's Dream, which runs April 23 to August 29. Keen-eyed observers may note that there is currently a production of the same play running at the Globe's indoor Sam Wanamaker theatre. To put it bluntly, A Midsummer Night's Dream is big bucks at the box office, and there's an endless stream of things you can do to it.