#paul-revere-williams

#paul-revere-williams

Carl Cokine Anthony redefined the relationship between racial equity, regionalism, and the environment, establishing a foundation for future environmental justice initiatives.

The Walker Guest House, a 24-foot cube designed by Paul Rudolph in 1953, is now reassembled in West Hollywood and available for $2 million.

"It has been estimated that one million five hundred thousand houses each year for a period of 10 years will be needed to relieve the urgent housing problem of this country. The enormity of such a need cannot even be partially satisfied by building techniques as we have known and used them in the past."

The Kappe House in Rustic Canyon, California has been listed for sale, bringing newly released photographs of its midcentury interiors into view. Designed in 1967 as the personal residence of architect Ray Kappe - who co-founded SCI-Arc together with Thom Mayne of Morphosis - the house stands as one of Southern California's most studied works of residential modernism. Set on a steep, wooded site in Pacific Palisades, the structure hovers above the hillside on a framework of vertical concrete supports and expansive redwood beams.

No matter the style or scale, however, his sixth sense for the provision of creature comforts is evident throughout his work. "He just knew how to design a house for cultured living," notes Escher. It's telling that Williams opted for modernism in his own residence, yet the functionalist disposition of the rooms is balanced with richly personal details. "On one hand, it's still sort of a traditional layout in how the kitchen and back-of-house facilities are organized," says GuneWardena.

Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.

With their red-tile roofs and stucco walls so commonplace that they've become part of the landscape, the homes of the Spanish Colonial Revival tapped the climate, local materials and an idealized view of history to become the signature style of Southern California.

My house is my history book. Like a wise grandfather, this splendid relic of 1903 has been teaching me about the city that adopted me 15 years ago. The old place has watched Los Angeles grow from just over 100,000 to more than 3 million. It was here before the movies, before the aircraft plants, before the car dealers.

He would buy up land on Wilshire Boulevard between La Brea and Fairfax avenues and build the retail hub of the future, one centered around the automobile. Though critics scoffed, he believed he could draw customers from Beverly Hills and Hollywood to what was then the unfashionable hinterland of the city simply by combining luxury department store shopping with plenty of free parking.

This Craftsman home, set on a roomy three-quarter-acre lot, has the rolled roof edges, deep overhangs and protruding rafter tails characteristic of the style developed by brothers Charles and Henry Greene. Originally built for Packard dealer Earle C. Anthony, the shingle-clad house was moved from Los Angeles to Beverly Hills in the early 1920s by silent-film star Norman Kerry.

Across towns and city centers, they carry the shifting architectural ambitions of the nineteenth and twentieth centuries, from Greek Revival formality to Beaux-Arts monumentality and Art Deco ornament. Architects and federal planners would give these buildings a clear public role and a powerful physical presence. Stone façades, monumental halls, and crafted interiors projected stability, trust, and permanence. The post office placed the federal government directly into the everyday landscape of American life.

When complete in December 1999, the 22-story building will have floor-to-ceiling windows of silver blue-gray glass in place of its concrete facade and aggregate panels. The structure will feature an upturned metal canopy on the penthouse floor that will be visible from much of the Westside when the building is illuminated.

Indian Hills Ridge is a development of CoastFed Properties, formerly the Mayer Group. Construction has begun on four models at Indian Hills Ridge, a 66-acre project east of Yosemite Avenue and north of Flannagan Drive in northeast Simi Valley.

Maloof hand-carved a three-story spiral oak staircase. Other artists created stained-glass windows, copper doors and designer lighting. But the person who has been most involved in the house is Herb Hafif, the attorney, sculptor and art collector who personally split rocks for the stone walls and who has owned the property, through his philanthropic family foundation, since 1953.

As the weights touch, they get a bit musical and there's a kind of harmonic ring in your wall. It's like the house is alive. But with soulful age come other sounds: rattles, wind whistling through gaps and a homeowner's curses because the blasted contraptions won't open and close properly.

Updated for modern living, this remodeled home in Highland Park has stayed true to its 1930s Spanish Revival beginnings. The open living and dining room features a brick fireplace and the original hardwood floors. A courtyard sits off the master bedroom.

I essentially print one copy of the book for the owner. It tells the story of their house and all the owners from the time it was built until today. The books run from 150 to 250 pages, can take more than 200 hours to produce and are filled with boldface celebrity names and archival photos of stars hanging out in the home with famous friends.

Everything's super intentional. I wanted every pocket of the space to be not just inspirational but have a story to tell so that when I'm in that space, I'm always reminded of who I am, and how hard I've worked, and what else there is to do.

Known as the Fields House, the Regency-style home was designed by noted architect Craig Ellwood and built in 1957 as part of the Case Study program. Greenberg, who starred for the Detroit Tigers during the 1930s and '40s, bought the house in 1974 for $258,000 and was its third owner.

The actor commissioned local architect William Kesling to build the retreat close to the studios so he could go there during filming. The Streamline Moderne design, with exterior horizontal "speed lines" and wing-like pergola gates, reflects Beery's love of aircraft and flying.

The chic double unit, created by combining two condos, contains three bedrooms, five bathrooms and 4,000 square feet of living space. Features of the updated home include a media room, an office, a den and a terrace. The building, constructed in 1962, has concierge service, 24-hour valet parking and a rooftop pool.